Can you believe that a brand new decade is just around the corner? I’ve been so caught up in the day-to-day that I haven’t quite wrapped my head around it. In some ways, this is progress for me; I have a tendency to live too much in the future (or the past) so being able to feel present in the moment is a good thing. We have been dealing with health issues in our immediate family over the past 2 years that have made me incredibly grateful for every day, so I consciously try not to take any of them for granted. In fact, I can’t remember now if my “theme word” for 2019 was gratitude but if not, it should have been. It’s been on my mind a lot all year, and I think it’s made a measurable difference in my perspective. That all being said, I am not mentally ready for the idea of a new decade. Yes, in a way, it’s just another year. But conceptually, 2020 is a big milestone for many reasons. Personally, I’ll be entering into a new decade of my life: I turn 40 next August. I don’t really know how I feel about that, except thankful (and lucky) to be alive, healthy, and privileged in so many ways.
Anyway, the good news is that I still have 2 more months to get mentally ready for 2020 and November lasts approximately 357 days so I should be all set.
On to the clothes:
October was the month when I embraced green. You guys know how much I love a cohesive collage, so this one is very satisfying. I feel like I’ve got the hang of my aesthetic, I know what I like and (mostly) how to achieve it with my outfits. Pretty much the only challenge now is not falling into a rut. One, because I tend to do that seasonally (every November to January), and two, because once you find formulas that work very well, it’s so easy to just keep repeating them. The key to avoiding the rut is to do little tweaks on those formulas, so they keep feeling fresh and exciting. Switching up accessories – add a belt or take it away, change up the shoes, wear different necklace – or changing the colour story are easy tweaks. For November, I think I am going to go with a black (always), grey (a risky choice for a grey and cold month), and purple palette. Here’s hoping it works as well as last month’s.
One of the most important things which thrifting has taught me is that brand and retail price are not reliable guides to quality. Designer brands sometimes offer quality that is indistinguishable from fast fashion. The quality of fast fashion itself can vary wildly. To be a savvy consumer, you have to be able to recognize quality by other means: the materials used, the construction, the finishing touches. As far as that goes, the best education is a working knowledge of how clothes are made. While I can’t help you in that department, I have a few “hacks” that I’ve developed over my years of thrifting which you may find useful.
Some of the them, unfortunately, cannot be easily explained in a blog post. Spotting good quality materials by a combination of visual identification and “hand feel” is one of the key ways that I maximize my time in thrift stores; I rarely bother looking through racks exhaustively, I just scan them for materials that stand out to the eye and the touch. I can’t tell you how to develop that skill other than by doing – touching clothes in stores, looking up the fabric content, and learning what certain materials look and feel like.
In this post, I want to talk about one of my other favourite hacks: “inspecting the guts”. Please note that I am writing this as a non-sewist , so my terminology may be off. That’s why I will be relying heavily on photos to explain what I look for; for this exercise, I will be using pieces from my own closet, representing a range of brands.
The way a piece of clothing looks on the outside can tell you some things about the way it was made and its quality. But it’s not the whole story. Flip the piece inside out, and you’ll see much more. I like to look at a few things in particular:
1) Lining
2) Seams
3) Hems
Let’s talk about each one.
Lining
Now, lining is easy. The first question is: do we have a lining? Most pieces benefit from having a lining (there are exceptions, of course) because it helps them sit better on the body, and it protects the fabric (especially delicate ones like silk) from direct contact with the body. Lining can also make the garment more comfortable – wool pants are a good example – and create some built-in climate control.
Now, there are high end designer pieces that don’t come with a lining but probably should; to me, that’s a sign of the label taking shortcuts. It doesn’t automatically disqualify the piece from purchasing consideration, but it’s something of which I take note. Although, I will say that most unlined wool pants (or skirts) are an abomination.
If there is a lining, the second question is: what kind of lining is it? Silk is nice from a comfort perspective, but it is more fragile itself. It’s also pretty rare; I tend to see it on pieces that run in the high 3 figures or over at retail. (My YSL blazer has a silk lining … and that’s about it for my closet.) Polyester, or poly blend, is more common even in designer pieces. I’ve had mixed success with this, and I haven’t been able to pinpoint why – it seems not all polyester is born equal. Some poly-lined blazers are a sweat-trap, others are not bad; poly-lined dresses are usually fine.
Lining can also be a trap with some skirts. I’ve had experiences where the lining was either poorly sewn in, poorly designed, or both, to the point of making the skirt unwearable. Depending on how the skirt is constructed, fixing a lining can be done easily and inexpensively by a tailor … or not. Again, I am not an expert, but generally it’s been my experience that if there is a zipper on the seam that has to be adjusted, that will cost more money.
Speaking of seams …
Seams and Hems
First up, let’s compare a Dries Van Noten top and a Forever 21 top. I picked these 2 because they are actually similar in the more obvious ways: both are 100% cotton, long-sleeve, unlined tops. The DVN piece is one of the brand’s more run-of-the-mill items, which is probably why it’s made in Hungary rather than Belgium like my other pieces.
Here is the inside seam on the DVN piece:
Apologies for the photo quality – it’s hard to capture details on black fabric, so I had to kick up the contrast a lot.
Here is the Forever 21 piece:
You can see that the way the seam is finished is much more basic (more likely to rip or split open) and sloppy. Same with the hem.
For further comparison, here is a Maeve top (Anthro brand). This one is 100% rayon, but otherwise similar:
Not all that different from F21. To me, it looks like the stitching is a bit more neat, and the hem is more even, but that’s about it.
Let’s look at skirts. First up, a Suno skirt. I had never heard of this brand before I found this skirt at VV, but I knew it was quality without having to look it up. Here’s the seam:
I don’t know the correct term for this type of seam (and that hem!!!) but it looks like it would be (a) time consuming, and (b) more expensive. Why?
See this part where my finger is? That “flap” is actually material folded on itself. So that’s an extra 3-4 inches of material that isn’t visible – but will add up, cost wise, over a whole production run. The benefit of the extra material to you as consumer? If you need to let out the skirt (i.e. take it up to a larger size), it can be done.
Compare with this satin-like polyester skirt from Nordstrom Rack:
There is no extra material here – if I gain any weight, goodbye skirt. Also, the seam doesn’t sit flat which makes for a sloppier fit (puckering where my body curves, i.e. the hips).
One more skirt comp: AllSaints (real) leather mini skirt versus Zara (faux) leather skirt.
You can probably guess which one is which. The AllSaints skirt has a (polyester) lining and, again, its seams look neater and, well, more “finished”.
For dresses, I don’t have a lot of good comparisons but let’s use a Marni dress (100% cotton, unlined, sleeveless) and a Rachel Rachel Roy dress (100% polyester, unlined, sleeves). Can you tell which is which?
Again, it’s not hard to spot the difference. Even to a non-expert, the Marni seam and hem (second photo) looks cleaner and sturdier. It would take a lot of abuse for that hem to fall out.
Now, even when garments are finished in similar ways, some can still be better than others. Let’s look at a silk dress from a higher end Anthro brand; keep in mind this would have retailed for over $300. It’s a simple, unlined tunic.
Not a huge seam allowance (compare to the Suno skirt above – I am referring to the extra “flap” of material at the seam) but all the stitching is nice and neat. The silk fabric is a bit thin and not fully opaque).
Now let’s look at this Zero+Maria Cornejo dress. Also silk, also unlined. Because it’s cut on an angle, here are 2 photos to capture all the seams and hem:
First of all, the material is way nicer – thicker, luscious silk. The hem is similar, but check out that inside seam – lots of reinforcement there.
The last thing I want to mention is that the quality of vintage “fast fashion” clothing (I am talking about stuff from the 90s here which, yes, qualifies – did I just blow your mind, fellow Gen Xer?) is often better than equivalent contemporary brands. Note that I said “often”; always have a look to confirm, but don’t immediately discount these pieces.
Here is a look at this vintage Ralph Lauren skirt:
There have been a plethora of RL labels over the years, but as best as I can tell, this was not one of the premium collections – more like the stuff you would find at The Bay nowadays. The skirt and the lining are both 100% silk, and they didn’t scrimp on the fabric (there is enough here for a parachute). Again, both skirt and lining have nice, sturdy seams and hems – which is a bonus, because I’ve tripped on this skirt more than once. No rips so far, knock on wood.
I hope you have found my visual guide helpful, and if you have tips to share, please let us all know in the comments.
This Thanksgiving, I was thankful for many things, including the fact that it hasn’t snowed. Yet. More than I remember of previous years, I am finding this brief fall season to be charming. The leaves are beautiful shades of yellow, red and orange which look fetching even on gray days. Gray days have their own charm too – on weekends, I love going for walks in our neighbourhood, then coming home to read or paint in my cozy space. All of that to say: this is what I wore for Thanksgiving dinner at my parents’ house. It was a good outfit, even if my son thought I was overdressed.
Notes: Rick Owens dress (thrifted, $10); Skies Are Blue vest (thrifted, $5); Zara shoes (retail, $80).
Stormy Seas
I love this colour palette; it reminds me of stormy seas. There are 3 different shades here: slate blue (the top), grey (the blazer), and dark green but they harmonize nicely. This Helmut Lang blazer was part of an epic haul in September, and has really good lines. I am not usually a fan of very sharp (padded) shoulders on blazers, because mine are already broad, but here the detail works somehow. Also working? This Rafael necklace. In all fairness, it works with pretty much everything I wear. Someone once commented that it looks like a necklace that holds a few spells and I love it all the more for it. Pieces with a little bit of mystery are my favourite.
Notes: Babaton top (thrifted, $12); Helmut Lang blazer (thrifted, $8); Zara skirt (thrifted, $11); Cole Haan shoes (thrifted, $20); Rafael necklace (eBay, $80).
Achievement Unlocked
At the Wardrobe Exchange event back in September, I fell in love with an outfit. This incredibly stylish woman was wearing a black sweater (with leather pocket accents), a chartreuse green satin midi skirt, and black ankle boots. It doesn’t sound like much, but it was perfection. I was especially taken with the skirt. Through the magic of social media, I was connected with its stylish owner and discovered that it came from a Dorothee Schumacher trunk show. [Sidebar: Dorothee Schumacher is one of those lesser known designers whose stuff I really like. Have yet to find pieces at the thrift store, but this was a good reminder to check eBay more often.]
Needless to say, I knew my chance of finding the exact same skirt were slim to none, so I started looking for alternatives – first on eBay, and then retail. Somewhat surprisingly, none of the usual suspects (Zara, ASOS, Topshop) had nothing to offer me. I needed something very specific: the colour (chartreuse) AND the style (midi) AND the material (silky satin). I was more or less resigned to putting my search on the back burner when – lo! – I stumbled across the exact thing I wanted at Nordstrom Rack. It’s a random brand and fast fashion quality, but I think it will work as a statement piece and I can’t wait to wear it. For its inaugural outfit, I chose something that was a hat-tip to the original inspiration.
Notes: Jones NY sweater (thrifted, $8.50); Sarah Pacini vest (consignment, $85); Code x Mode skirt (retail, $34); Tory Burch boots (thrifted, $20).
