It’s been a couple of months since my last post on all things crafty, let’s talk about what I’ve been making lately. I’ve been branching out in a few new(ish) directions, as always following inspiration wherever it takes me. I’ve been able to carve out a consistent amount of time every week to devote to creative pursuits, which has been an incredible boon for my mental wellbeing especially during difficult times. A lot of my inspiration lately has come from art. I find myself drawn to certain artists and works because of their colour stories; my brain is constantly craving colour. I swear, colour is like some kind of serotonin boost for me. Whether it’s embroidery or beadwork, it all comes back to colour.

Speaking of embroideries, I’ve worked on a few larger pieces so my output hasn’t been large but does include pieces I’m very happy with.

This is the 4th hoop in my waterlilies series. I like to try different techniques and design ideas each time. This piece was influenced by Monet’s waterlily studies.

Here is the whole series, side by side:

I’m taking a break from waterlilies for now, so I can recharge my inspiration. Instead, I’m working on some different flowers, like this:

This was a large hoop (10 inch) which takes significantly longer to complete — when doing a full coverage design — than my usual 8 inch hoop. I like the extra design space that the larger canvas provides, but it’s a struggle to stay committed long enough to finish it. However, this one was enjoyable to work on, start to finish — I think the diversity of colours really helped.

I also worked on another large hoop that was a complete departure for me. I decided to try an abstract portrait in the style of Picasso, inspired by a post on r/Embroidery. The OP’s work was done by rug-hooking, and I wanted to replicate that texture so I decided to take the plunge and commit to French knots. Over the entire hoop. Did I mention it was a 10 inch hoop? Gah.

For the design, I used these 2 Picasso portraits as inspiration:

I was initially very excited about the project simply because of its novelty, but the reality of French-knotting a full coverage design soon kicked in … and almost kicked my butt. But I persevered:

I love the texture of the finished piece and how it turned out in general, but I’m not sure I want to turn this one into a series, haha!

Next up, I did a little bit of jewelry upcycling again after a hiatus. But instead of working with polymer clay, I simply used existing (thrifted or secondhand) pieces to assemble new ones. It started when I found a bracelet at the thrift store which matched a necklace I’d thrifted a few years ago. I hadn’t been wearing the necklace very much, but I loved the design and realized that I could make a piece more to my liking by combining the necklace and bracelet. So I connected them together, and added another thrifted piece (a collar-style necklace) to hang them, like so:

I love long vertical line necklaces, and this first try inspired me. So I decided to tackle another bracelet I Poshmarked last year; it’s a labradorite cluster bracelet that I adore but found too bulky to wear as such. I attached it very simply to a choker, and later added a separate labradorite pendant (also sourced on Poshmark) in a complementary shape as a finishing touch:

Meanwhile, I had thrifted a moon face pendant which I adored — I am obsessed with moon themed jewelry. I didn’t love the leather cord it was strung on, though, and decided that it needed a similar setting as my recently converted bracelet-necklaces. So I hunted on Poshmark for a bracelet to upcycle for that purpose; I specifically looked for a moonstone one because (a) moonstones are my second favourite stone, and (b) it seemed appropriate. And, voila:

I am obsessed with these necklaces, and I’m keeping an eye open for more similar pieces that I can add to my collection.

Lastly, let’s talk beadwork. For the last few months, I’ve been keeping 2 projects going at all times, one embroidery and one beadwork. I find it keeps from getting too bored with any one project (as they all tend to take at least 1.5-2 weeks to finish). My focus has been on beaded necklaces, and trying out some new designs.

First, I wanted to try a design based on vintage needlepoint. I used a vintage bag I thrifted years ago as inspiration. Unfortunately, rather than waiting to buy some graph paper for plotting purposes, I decided to make my own. 0/10, would not recommend. But I managed to make it work, sorta:

For this next piece, I gave up on graphing the design. Instead, I transferred the design directly onto my backing medium (felt) and worked off that. It was somewhat less painful … but I made up for it by deciding to attach a full fringe, which was a huge PITA. Nevertheless:

Last but definitely not least, I wanted to try a necklace inspired by one of my obsessions, Monet’s waterlilies. I gave up trying to prep a design in any way, shape or form, and did a totally freehand design (making it up as I went along). And it turned out pretty well, if I say so myself:

I have a few projects on the go, including a new embroidery flower series and some other beadwork designs. Till next time, happy crafting!

9 Comments on I Make Things: Winter 2022

  1. I’ve been following you for many years now and I’m constantly amazed at your talent and creativity. Always enjoy seeing your new creations.

  2. Thank you for sharing these – they are all incredible! I’m really enjoying seeing the beading work.
    And I agree, colour has the most wonderful, transformative quality. Being around colour is like a vitamin shot!
    Please keep showing us your creations, love seeing them!