Month: November 2022

Blogging is Dead… Or Is It, and Other Musings on Monetization

Today, I want to pull away from my usual topics and talk meta.

I started this blog in 2010, during the early-ish heydays of personal style blogging. Monetization was only just beginning to gain momentum, and sponsored posts were still a relative rarity. Almost from the beginning, I realized that blogging would not be a path to fame or fortune for me. As a former teenage wallflower, popularity was a tempting prospect, but it quickly became apparent that I did not have the temperament to pursue it in any meaningful way. Chalk it up to my internal push-and-pull of wanting to please people but also keep them at arm’s length and “do my own thing”. I am also not a natural salesperson; goodbye, sweet sponsorship money! I always feel responsible when people act on my recommendations – which is unreasonable but it is what it is – and I knew that adding financial incentives into the mix would only exacerbate that sense of responsibility. I don’t want to feel guilty if you buy a skirt and you end up hating it! So making the choice not to monetize – either through sponsorships or affiliate linking – was relatively easy. It is also worth mentioning that I was fortunate to have a day job that provided financial security, so I did not face other pressures or inducements to monetize in that fashion.

In the intervening years, the landscape of social media has changed tremendously. Blogging started to decline, and influencers were born. Side hustle culture became mainstream. While it seems like there is fatigue with traditional influencer monetization – i.e. sponsored ads and the like – monetization isn’t going anywhere.

I have never regretted not taking advantage of the sponsorship and blog monetization opportunities I’ve been offered over the years (or not trying to pursue others). My feelings about being a salesperson haven’t changed. I gave up chasing social media popularity entirely by making my main Instagram account private. To be perfectly honest, I thought I was “outside of it all” – immune to the lure of monetization, so to speak.  

Turns out, maybe I wasn’t.

Because while I didn’t monetize this space or my fashion blogging social media presence, I did monetize other parts of my life. I sell my art, even though I cannot price it in a manner that is truly reflective of the effort and skill that goes into it. I’ve talked about this before, but a big reason for that was the need to “legitimize” my art. I also, for a time, monetized my thrifting hobby by offering personal shopping packages. Why? Probably because I internalized that ubiquitous message that turning hobbies into side hustles is The Very Best Idea Ever. I was recently listening to an episode of the podcast Money Feels, in which the co-hosts (Bridget Casey and Alyssa Davies) made a very thought-provoking point: the push towards side hustles is a symptom of the financial insecurity which our capitalist system instills in people. That insecurity is very real for many people — caught up in the gig economy, low wage work, crippling student or medical debt, and so on — but it can also be a state of mind. The constant preoccupation with accumulation lest one fall behind or run out. In a way, this fear isn’t entirely unfounded either; most of us are a series of unfortunate incidents away from financial crisis in a society where social safety nets are shrinking by the day. [You know how it’s said that some people act like they are “temporarily impoverished millionaires”? It might be better if we all acted (and voted!) like “temporarily well-off paupers”. But now I am really digressing.]

In my case, while I am not suffering actual financial instability, I am still, clearly, prey to the scarcity mindset. Nowadays, I am trying to be more alert to that and its impacts on my decision-making — not only in relation to monetization of hobbies, but in general. As for my personal thrift shopping services? I stopped those a few years ago; the work stopped being fun and started being a source of stress almost as soon as I monetized it. I am also re-evaluating my feelings around being a “legitimate” artist and the role of monetization in my experience as an artist, but that remains a work in progress.

There is one thing which has brought this all back onto my front burner recently. Everywhere I turn these days, it seems like people are offering Patreons, subscriptions, Substack newsletters. They are not selling material things, or at least, that isn’t the primary draw (some may still use affiliate links in their paid content). They are selling content or, depending on how you look at it, creative product — not different from a song, or a piece of art. I am not going to lie, there is an appeal in this for me. Why? I guess at least part of the appeal goes back to that idea of legitimacy; if someone is willing to pay for it, your content must be worthy. However, put another way: if someone is reading your content, it must be worth something, no?

I keep coming back to this question. Is my content worth something? If I am writing because I enjoy it, does that negate the significance of being paid for it? Does reaching a (presumably) wider audience compensate for the lack of other recompense? Where content is personal in nature — opinion writing, if you will — does monetization mean selling access? How do I feel about that? Over the years, my writing has enabled me to connect with and develop friendships with people whom I would not otherwise have met; how does one bring money into something like that? At the same time, the majority of people who consume my content do so anonymously and without any reciprocity which, at times, I have to admit, does sting a little.

This is where I have to tell you that I don’t have a neat conclusion to this post. All I know is that I keep seeing new subscription notices — not the first and not the last tool of its kind, for monetization is a many-headed Hydra in our world — and wondering where I fit into this paradigm. Maybe this is just another facet (head?) of the monetization culture that I need to come to grips with. If anything, I’ve realized that there isn’t a “one answer fits all” solution to the questions posed by monetization culture. And this isn’t a long-winded way of telling you that I’m putting the blog behind a paywall, by the way. But if there is a takeaway, it’s that monetization as an extension of capitalist ideology is pervasive and tends to sneak into all corners of life where you might least expect it, and calls for constant (re)examination.

I would love to hear your thoughts, whether as content creator, content consumer, both, or just as a person living through these late stage capitalism end times. Have you grappled with the question “to monetize or not to monetize”? Have you jumped all in, or opted all out, or found some kind of balance (and if so, definitely share the secret sauce!)?

What I Wore: November 2022, part 3

Details: St. John top, Nanette Lepore jacket (both thrifted), Babaton skirt (Poshmark)

Thoughts: I still love this St. John top so much – I adore the boldness of the trompe l’oeil chain design. It’s a thin knit (which St. John does so well) so it has a nice weight to it without being too heavy/thick. This blazer has been something of a revelation; in some ways, it’s pretty traditional — what, in my mind, I call an “office blazer” — so something I have not been gravitating towards lately, but for some reason, this has been such an outfit-maker for me lately. I think it’s the pattern and the colours (purple and chartreuse though they don’t photograph clearly as such), which make it unexpectedly funky.

Details Club Monaco turtleneck (retail), Ralph Lauren tank top, Zara blazer, H&M pants, Brave belt (all thrifted), Louise et Cie shoes (retail)

Thoughts: This is a pretty standard Historian outfit formula, and I don’t have much else to add — it works for me every time. I’m thrilled to have found this vintage RL knit tank top because, under a blazer, it looks just like the sweater vests that I have been coveting for months.

Details: Polo Ralph Lauren dress (gifted), Zara top, Holding Horses tunic worn open, Nine West shoes (all thrifted), selfmade necklace

Thoughts: A friend of mine gifted me this RL dress because she knows how much I love the brand. I had been waiting for the right outfit inspiration and feeling a bit stumped until I thrifted this plaid tunic. The colours and contrasting plaid seemed like a fortuitous combination, and so they are. This was such an easy, comfortable (but still fun!) outfit for WFH for a day when I didn’t feel like “dressing up”.

Details: Oak & Fort shirt, Ralph Lauren skirt (both thrifted), Gap vest (Poshmark), Zara shoes (retail), Warren Steven Scott earrings

Thoughts: In contrast, here is a “dressed up” version of my WFH outfit. Effort-wise (and comfort-wise), it’s not really any different, but it feels dressed up to me. I couldn’t resist this vest: patchwork plaid? Yes, please. Since one of the patches is Blackwatch plaid, I had to try it with my favourite RL skirt. Am I an honorary Scot yet? 😉

Details: Wilfred shirt, Everlane sweater, Gap skirt, Avec Les Filles jacket, Office London shoes (all thrifted), Warren Steven Scott earrings

Thoughts: I’m sure you can see why I picked up this skirt — the colours and pattern, of course. Luckily, I am still in my “mini skirt experimentation” phase and, also luckily, it’s going well. I think I’ve found the key (for me) to mini skirt outfits: tights. They don’t have to be black (although black works well here) as long as they are opaque. I just don’t like the bare leg look on me — the proportions look wrong in my eyes, as if the vertical line is being chopped up at the wrong place(s). Somehow, opaque tights solve that problem!

Details: Suncoo blouse, no label cardigan, Jenni Max skirt (all thrifted), Rafael Alfandary necklace (consignment), J. Crew shoes (retail)

Thoughts: There is a flavour of Edwardian schoolteacher to this outfit, and I’m not mad about it. We can call it academichic of another era, right? I love the colour of this velvet skirt; it’s a sort of mousey greige with silvery highlights — very unusual and cool. I do wish there wasn’t a zipper in the front, as it adds bulk where none is required; if it weren’t for that, I think I would wear this skirt a lot more often.

What I Wore: November 2022, part two

Details: Ralph Lauren turtleneck, Michael Kors skirt (both thrifted), Stella & Dot necklace (Poshmark), Zara shoes (retail)

Thoughts: I loved this outfit so much. This skirt makes for an even better dress! The waistband is elastic, so it can comfortably stretch to wear as a strapless dress. And it’s super comfortable! The turtleneck doesn’t look exciting in this context, but it was a great recent thrift find. Turtlenecks are a staple for me in the colder seasons — I use them as a base layer most days. I have a few versions. The Club Monaco ones you’ve see me wear a lot are a wool/viscose blend that is very lighweight and non-scratchy — this is key for anything that I wear next to my skin. I also have a couple of cotton blend black turtlenecks that can also be worn next to skin, although they are less warm than the wool blend ones (which makes them better for some outfits, depending on what I am layering on top). I then have a couple of cashmere ones — a thicker one (Jones New York) which is more of a top layer, and this medium weight one (Ralph Lauren). The latter is more of an “intermediate” layer for me; I usually wear it over a cotton tank top because it’s a little bit too scratchy against my torso (but fine on my arm skin), but still thin enough to layer under other things. Developing this arsenal of basic layers has been a game changer for me in terms of allowing to wear my favourite clothes year-round in a cold climate. It might not be minimalist to have 5-6 different turtlenecks in dark colours (which look almost indistinguishable) but they all serve their purposes and are indispensable to my closet.

Details: J. Crew shirt, vintage vest, Tabitha jacket, Laura Ashley skirt, Ferragamo shoes (all thrifted)

Thoughts: I called this Academichic Jo March, and it’s a mash-up of styles that I really enjoy in general. I thrifted this velvet vest almost 3 years ago, specifically after I saw Little Women and fell in love with Jo’s costuming, and it has served me so well since then.

Details: Club Monaco turtleneck (retail), Northern Reflections shirt, Theory blazer, Banana Republic jeans, Cotton Ginny belt (all thrifted), turquoise necklace (Poshmark)

Thoughts: This outfit is 100% a tribute to Papa Ralph himself — he has worn some version of this outfit many times (shirt over another top, tucked into belted pants, with some kind of jacket, often tweed). It was also an opportunity to test these bootcut, low rise jeans; they’re circa 2013 Banana Republic. I think I prefer the Frame flares I got recently (posted last week) but I do enjoy this silhouette too. The low rise is what I don’t love. I simply don’t like the visual proportions of it on my body. But maybe I need to just get used to seeing it. Sometimes, the more you see a “new” trend, the more it grows on you. I definitely think that the only way I would do low rise jeans again is balanced against an oversized or layered top half — not paired, say, with a tight-fitting top that will only emphasize the fact that the top part of my hips sits well above the waistband of the jeans, making me look like I’m getting squeezed out of the same.

Details: Toni T dickie, Gap sweater, Nanette Lepore jacket, Babaton pants, Ferragamo shoes (all thrifted)

Thoughts: I think I’ve mentioned before how much I love the combination of this sweater and this jacket, so I had to wear them together again. This time, with navy corduroys. I’ve never been a fan of traditional navy — it’s too dark to count as blue, and not dark enough to be, well, black. But I recently discovered this lighter, bluer version of navy and I’m really liking it. I actually had no idea that navy came in different shades — duh, like any other colour — so now I’m reevaluating my old prejudice.

Details: InWear sweater, Vince dress, Gap jacket (all thrifted), Mia shoes (retail)

Thoughts: Brown really was the colour of the fall season for me this year. I managed to squeeze in one last black-and-brown outfit before the snow hit the ground and I was forced to, regretfully, retire my beloved platform loafers until next year.

Details: J. Crew top, Zara duster, Linda Lundstrom pants (all thrifted), J. Crew shoes (retail)

Thoughts: These vintage lamé palazzo pants are quite fabulous, but I have been stuck on how to style them ever since I got them. I think it’s because they are actually a lavender-ish silver colour, not plain silver (which would be easier to pair with other colours). It would be easy enough to wear a black turtleneck with them but … that’s too obvious. The combination here — with navy and burgundy — is not bad, though.