Yesterday marked 4 months since I embarked on the adventure known as Trying to Get a Traditional Publishing Deal. In the context of the industry, that’s barely a blip. To me, it seemed like one, very long fever dream. As a writer, I’ve aged, like, a decade. I made mistakes, learned stuff, got rejected, bounced back. Over and over. I wrote a LOT. [Since January, nearly 400,000 words. That’s 4 books’ worth.] I still do not have an agent, and I am about to start querying my second manuscript (which is actually my 4th book). Let’s recap!
Back in July, I decided that it was time to shelve A Party to Murder for the time being. It’s not that I think it’s a bad book; in fact, after the last round of revisions in July, I think it’s better than ever. The mistakes I made early on during the query journey came home to roost, though. The biggest one was querying too soon, and too widely. It meant that, with many agents, I didn’t end up putting my best foot forward vis-à-vis this book – and, in querying, you typically only get one shot. It sucks, but it is what it is, and I learned some valuable lessons from it. I am not sending A Party to Murder to the dustbin, though. I’m still hopeful that, down the line, I’ll get another chance to bring it out to the world – especially since I wrote 2 other books in that series (as interconnected standalone mysteries). It remains to be seen how and when.
My final (for now) stats for A Party to Murder are 70 queries sent, 2 full requests, one partial request, and 39 rejections. I think it’s safe to say the remaining outstanding queries are also rejections; it’s increasingly common, it seems, for agents not to respond (even with form rejections). In light of the effort and time I put into this book, the lessons I learned from querying it were not cheap ones … but that’s how it usually goes with writing. I feel much better prepared for my second attempt at querying, at least. In addition to being excited to try again, I also feel a kind of detached curiosity about how the process will go this time around, given that I’m much more savvy about the industry and its expectations, and that I’ll be working with a very different book.
I don’t want to give you the impression that I wrote this last book as a cynical exercise in pandering to the market … but I definitely approached it more strategically than my first. Since I didn’t get much agent feedback on A Party to Murder, I wasn’t able to get a clear sense of its marketability as a historical mystery, so when I decided it was time to pivot, I decided the safest bet would be to write something different. Mystery is the genre in which I feel most at home (when it comes to structure and plot beats), but I figured I would need to switch things up. So, instead of historical, I went with contemporary, and instead of a romance-forward plot, I went with a fantasy-forward one. The Mysterious Affair at Gaunt Hall is an adult, contemporary fantasy mystery set in a small English village hiding a big secret. My main inspirations were Stuart Turton’s The Seven Deaths of Evelyn Hardcastle and Angela Carter’s The Bloody Chamber. When I say ‘inspiration’, I’m using that term very loosely. Each one gave me a little nugget of an idea for what ended up being key parts of the premise of my book, but you’d be hard-pressed to find obvious similarities between these works and mine. I also took a much more considerable chunk of inspiration (slash actual plot) from a novella I wrote about ten years ago. I didn’t actually go back to re-read that earlier work, but it might be interesting to do so at some point and compare to see my evolution as a writer.
Here, for fun, is a short blurb for The Mysterious Affair at Gaunt Hall:
Thea Paget has a problem. She’s standing in a strange room with a dead body at her feet and the last 48 hours are a complete blank. The last thing she remembers is driving into the small village of Spalding Crow, following a mysterious summons from a man whose name may or may not be Mr. Noddy. With her academic and personal life in tatters thanks to a heartbreaking betrayal, Thea hasn’t got much to lose. Even so, a murder charge is something she’d rather avoid. Two people are dead – and one of them might not even be a garden variety human. Wolfram Breakspear, lately of Gaunt Hall, was the immortal creature responsible for Spalding Crow’s ancient curse. Allegedly.
Every 27 years, at the summer solstice, Spalding Crow must send a bride to Gaunt Hall or else face the wrath of its owner. Floods, earthquakes, and the threat of a motorway running straight through the village (among other terrible things) have kept the inhabitants of Spalding Crow in line for centuries. Now, one of them seems to have taken matters into his – or her – own hands. With the solstice just around the corner, and a new bride due to fulfill the covenant, the traditional engagement party at Gaunt Hall has become the scene of a double murder. But why would anyone want to kill the local antiques dealer? Is Breakspear really dead? And what’s going to happen once the clock strikes midnight on solstice day if the covenant isn’t fulfilled? To get herself out of Spalding Crow, Thea must first return to the crime scene and try to find the answers to these questions, along with her missing memories. She soon discovers that Gaunt Hall will not yield up its mysteries easily – especially not if Theo Devlin, Breakspear’s former personal secretary, has anything to do with it. Luckily, a magical talking mirror proves slightly more willing to help than the devilishly handsome Mr. Devlin. Offered an unorthodox means of investigation, Thea embarks on a race against time to unravel the truth and, very possibly, save Spalding Crow from utter destruction. But nothing at Gaunt Hall is as it seems, and Thea is about to find out that its secrets can change everything … including her life.
Let’s hope it’s a story that will catch an agent’s eye!
I’m doing a few things differently this time to increase my chances. First and most importantly, I stuck firmly to genre conventions on word count. The Mysterious Affair at Gaunt Hall is 80,000 words, which seems to be the sweet spot for debut novels. Hopefully, that means that agents won’t reject it outright based on length. Second, I plan to query in very small batches, spread out over a much longer period, starting with agents who have fast response rates. The goal is to test the strength of both my query package and my MS, and make adjustments as necessary. I don’t expect to get personalized responses, but form rejections can still be helpful in pinpointing what is and isn’t working. I am also going to get a professional editorial assessment (in addition to beta reader feedback) to help me with that. Ultimately, of course, the whole thing may come down to marketability, which is hard to predict these days. So, on one level, this whole thing is just a big roll of the dice.
Meanwhile, to keep moving forward, I really should be starting to think about my next book. Should … but haven’t. Or, rather, I have been thinking about it and not getting very far. I think there’s a bit of ‘quiet burnout’ happening (not weird, considering how hard I pushed myself for the last 6 months) along with the usual cocktail of impostor syndrome and “what’s the point when all I get is rejection” blues. I’ve been trying to go easy on myself this month, as summer is winding down, but I’m starting to feel the clock ticking. Come fall, I need to find the motivation to get myself back in the saddle. I keep thinking about the axiom that gets bandied about a lot in writer spaces, which is that most published authors sell their 4th or 6th or 9th book, rarely their first. If at first you don’t succeed, try and try and try again.