Guest Post: The Post-Thrift Store Journey of Our Donated Clothes

Editor note: This is a guest post from my best friend, Jenni. A (self-described) policy nerd currently pursuing study at McGill University in Montreal, she is also an intrepid traveler and fellow thrifter, two hobbies that inspired this post.

Did you know that, in North America, an estimated 13 million tons of textile waste is created each year? Some of that ends up in landfills, some of it in thrift stores. Repurposing discarded items through thrifting is an eco-conscious solution, contributing to waste reduction, a smaller carbon footprint, and the continuation of a circular economy. Nevertheless, the fate of thrifted goods once they outlive their usefulness in the thrift store raises questions. Thrift stores only sell about 10% of the donations they receive. 

Have you ever wondered what happens to unwanted items after that? What does life after the thrift store look like? 

Various fates await these goods. If we focus on clothing specifically, unsold items can end up being sent to landfills – which means their donation to thrift stores was only a temporary diversion – transformed into scraps or recycled into new textiles, or shipped to be sold overseas. A recent trip to Morocco shed new light on the latter outcome, and made me reconsider a lot of things. 

As a seasoned traveler with a deep passion for thrifting – credit goes to my best friend, who introduced me to this hobby years ago – I’ve explored secondhand markets in various corners of the world, from Kenya and Uganda to Ghana and Cambodia. My experience in Morocco bears striking similarities to what I saw in those other locations. My general observations of thrift markets in these countries indicate a widespread presence of secondhand goods. I have consistently come across thrift markets during my travels, and I’ve noticed varying types of sellers depending on the country. In Eastern Africa, for instance, it appeared that there were many small, individual shops focused on specific items such as ladies’ dresses or mens’ pants. In most countries, though, I found large format markets selling secondhand consumable goods purchased through overseas trade. 

Tiflet is a small town in Morocco with a population of around 80,000, about one hour away from the capital city of Rabat. It is small, semi-prosperous but not overly important and definitely not a tourist destination. Every night in Tiflet, there is a sellers’ market. The market is located in the downtown area and offers everything from custom-made new clothing, to fresh produce, to household cleaning products and everything in between. It’s a vast array of sights, sounds, and smells, full of families and commerce. It’s loud and overwhelming, but also charming; it’s one of my favourite places to visit and participate in when I travel to Morocco. 

As an avid thrifter, my favourite section of the market is where secondhand goods are sold. These items are not marketed as new to Moroccan consumers, but as overseas secondhand or recycled items. It is not a particularly large area, but it is usually covered in tarps and has basic lighting. Inside, there are around 8-10 tables where the secondhand clothing is displayed. Other secondhand items, such as household goods, are usually sold in front of the tents, laid out on the ground and organized according to their purpose — electronics, storage items, or other accoutrements bundled together. The clothing is also usually divided into some basic, and often pretty loose, categories: women, men, children, babies, pajamas, sometimes outwear (though not all the time). 

On my most recent visit to Tiflet, there were 3 tables for women’s clothing, 3 tables for men’s clothing, 2 tables each for babies and children, and one table for pajamas. In the past, I have seen larger sections, sometimes with a full tent for each category. In other countries, I have seen large areas for just women’s clothing, where items were separated into categories such as tops, bottoms, skirts, or pants.

What is in these piles and piles of clothes? 

Basically, everything that wasn’t sold at thrift stores in the Global North. My friends in Morocco told me that the vendors at their market claim that they buy items from the United Kingdom, which makes sense from a shipping / location point of view. While I have no reason to doubt their statements, as I was looking through the piles of clothing at the Tiflet market, I couldn’t see much that would help to identify where the clothing originated. It could just as easily have been Canada or the U.S. as the U.K. or other parts of Europe. I have never looked into the logistics of buying large freight containers of secondhand clothing for sale in overseas markets like Morocco and other African countries, so it’s possible that certain locations get more goods from, say, Europe than the U.S. and vice versa. 

The piles I ended up looking through contained women’s clothing, which came in various sizes, styles and conditions. The experience was very reminiscent of thrifting at the Goodwill “bins” back home in Canada, which are, essentially, the thrift version of outlet shopping. Everything that doesn’t sell in a regular Goodwill store will end up at the “bins” before it goes to the landfill or to an overseas market such as the one I visited. The “bins” are totally different from regular thrifting: a wild mish-mash of different clothing (and sometimes other types of) items, which require you to dig through everything if you want to have any chance of finding something worthwhile. The same was true at the Tiflet market. I was surprised, though, that there were a lot more “good” items than I was expecting – good being a relative word. I was expecting primarily no-name or generic brand name clothing, but there was a surprising amount of “nicer” fast fashion such as H&M, Zara, etc. I even saw more than one pair of 7 for All Mankind jeans! There was also a lot of de-tagged clothing that was in good or adequate condition, especially knit sweaters, as well as a lot of vintage items which I could tell were good quality even though I didn’t have an inkling as to the designers. 

Speaking of vintage, there was one thing in particular that caught my eye on this particular night: a mint condition Gap “The Holiday is Here” chunky turtleneck sweater. Even from a distance, across piles and piles of clothes, I could see that this sweater was amazing and in perfect condition. The thrift gods must have been smiling on me because it was also my size. You have probably heard Adina rave about her love of pre-2008 Gap, including her obsession with their striped holiday sweaters. Well, I get it now too; I love mine so much and cannot wait to wear it! Here is an article about it.

Speaking more generally, here are some of my observations based on my visits not only to the Tiflet secondhand market, but also similar markets in other countries. The quality of most of the clothes was adequate, but there were a lot of synthetic fabrics, such as polyester and nylon, which would not be great for the desert climate of Morocco. Such fabrics are typically not as breathable as natural fibers like cotton or linen. In hot, dry climates, breathability is crucial – fabrics should allow sweat to evaporate from the skin, thus helping to cool the body. Simply put, cheap fast fashion synthetics are not conducive to this cooling, which means a lot of the clothing that ends up in countries like Morocco cannot be used by the local population. 

In Tiflet, I saw some items with a lot of wear, including things such as shrunken wool sweaters that were felted into oblivion. I am not sure that many Moroccan consumers would have the knowledge or resources to unshrink a wool sweater, or much desire to put in the time required to do so. Illiteracy and/or unfamiliarity with English also hampers some Moroccan  consumers’ capacity to comprehend washing instructions, especially for delicate fabrics like wools or natural fibers. Understanding how to care for such materials is essential for maintaining the longevity and quality of clothing. Not being able to read care labels can lead to improper washing and care practices, potentially diminishing the value and lifespan of secondhand items.

Illiteracy is a challenge in other ways as well. Women often serve as the primary clothing buyers for many Moroccan families, and the illiteracy rate for women in Morocco can be as high as 45% in some areas. Lack of literacy can make it difficult for buyers to discern between “better” and “lesser” brands in the context of North American or other foreign labels. Without the ability to identify reputable brands, these buyers may struggle to make informed choices when purchasing secondhand items. My Moroccan friends, too, were unfamiliar with many “popular” brands and had to inquire about which clothing tags were considered reputable, relying on my knowledge. For example, my aforementioned sweater find: Gap was not a brand my Moroccan friend was overly familiar with, so they did not know to look for that label or how to judge if it was a good quality item.

Additionally, the mishmash of different sizes within the secondhand clothing market presents a significant hurdle, especially considering the lack of private changing facilities in these settings. Consequently, my Moroccan friends frequently find themselves disappointed when shopping in the secondhand clothing market, as they are hesitant to purchase items that may not fit them properly. This sizing uncertainty can deter them from making investments in clothing that may ultimately prove unsuitable for their needs or preferences. 

As I contemplated the underlying dynamics of secondhand markets in countries like Morocco, it became evident that these markets predominantly favor individuals from more affluent backgrounds. My own experience serves as a case in point, whereby my successful engagement with the market was heavily dependent on my knowledge and privilege, which gave me the means to navigate and benefit from it. This raises a fundamental concern regarding the accessibility of and equitable distribution of benefits derived from such markets. 

Since my visit, I have been thinking a lot about the disparities that exist between those who possess the necessary resources and knowledge to derive benefits from these overseas secondhand markets, and those who may be excluded or unable to fully take advantage of its offerings. My experiences have also made me question whether it’s even worth it for these markets to exist given that their benefits to the people who live in countries like Morocco may not be as great as we would like to believe. A lot of things sent to the second hand markets like the one in Tiflet cannot be sold there either, and at that point they become the locals’ problem – even though it was another country (most likely in the Global North) whose overconsumption resulted in the production of those goods in the first place. What obligations do we owe to people in Morocco – and Kenya, Uganda, Ghana, Cambodia and so many other places around the world – when we ask them to accept our unwanted clothing?

What I Wore: January 2023, part 4

Details: Ralph Lauren sweater (Poshmark), Club Monaco turtleneck (retail, old), CoH jeans, Oak & Fort coat, Office London shoes (all thrifted), Coach bag ( Poshmark)

Thoughts: Strap in for story time, friends. I posted the whole saga in extensive detail on Instagram, but I’ll give you the quick version here. See that amazing vintage RL sweater? I don’t know if you know this about me but I love ducks. Mallards, in particular. I also love vintage RL, but you definitely knew that. I found this sweater on Poshmark back in the summer of 2022 and got it for the amazing price of $30CAD. The same sweater currently sells for $250+ on eBay (and there is one listing for $800, smh). The listing disclosed a couple of holes, but they looked easy enough to fix. No problem. I get the sweater and while I am cleaning it, I find a couple of extra holes. And proceed to have a freak out. We don’t get moths here in Alberta, but they are common in other parts of the country. I have a lot of nice wool sweaters (and skirts) I can’t afford to ruin. My first reaction was to chuck the sweater, but my husband talked me off the ledge so we put the sweater in an airtight ziplock back instead. Put it aside. And then I forgot about it. For over a year and a half. Came across it again a few weeks ago. Put it outside in the -50 Celsius deep freeze for 72 hours. Put it in the dryer (while dry) for 2 hot spins. Steam cleaned it again. Washed it. Darned the holes. And finally: I wore it. And you know what? Totally worth it. I’m calling this a Bohemian outfit because the sweater is definitely shabby chic (it still has a small defect around the neckline which I don’t want to repair unless it starts to unravel more, because I loved the lived-in look of it).

(I also don’t actually know if there ever were any moths near that sweater. The ziplock back was clean when we opened it. But better safe than sorry, pals!)

Details: Line sweater, Jil Sander jacket, Cleo skirt (all thrifted), Rafael Canada necklace (secondhand)

Thoughts: This camel jacket looks fairly unassuming but it’s legit “stealth” luxe — it’s cashmere. There is something about a cashmere jacket; it’s so soft and thick and (dare I say it? I dare) yummy. Hahaha! I hate using that term for clothing but I think you know what I mean. I know Escada used to make cashmere blazers because I have a vintage one myself, so keep an eye out for that at the thrifts. Look for labels that say “by Margaretha Ley”. As a bonus, some of them will have a “made in W. Germany” tag, which is a neat little piece of historical reference. As for this jacket … well, Jil Sander is always a BOLO too, of course. Very high quality and beautiful construction. As for this outfit? It’s somewhere on the border of the Historian and the Bohemian, leaning more towards the former.

Details: Equipment shirt, Ralph Lauren vest, Ports International jacket, Fossil belt, Twik pants, J. Crew shoes (all secondhand)

Thoughts: Back on the RL train! I am loving the combo of green, navy and brown lately, so I am putting together different (Historian) outfits on that theme. This navy vest, as unassuming as it looks, is one of my favourites because it feels so classically RL, and this shade of navy works wonderfully with the colours in my wardrobe. And, of course, it’s 100% vintage cotton. The best.

Details: no name turtleneck, Tommy Hilfiger cardigan, Eddie Bauer belt (all thrifted), Ralph Lauren skirt (eBay)

Thoughts: Another side of RL, this time for the Trailblazer. This skirt is so great, and as soon as I spotted that green turtleneck at the thrifts, I immediately thought of it. I think the colours look great together. Added the white cardigan as a “grounding” neutral, as black felt like it would be too dark and heavy here. And threw on a big buckle belt because that’s been my mood lately.

Details: YAS blouse, Pendleton vest, Gap belt (all thrifted), Rafael Canada necklace (secondhand), Banana Republic jeans (retail)

Thoughts: The Trailblazer reimagined as a cowboy grandpa, hahahaha! I hadn’t had a chance to wear this wonderful vintage Pendleton vest since I bought it over a year ago (it went missing in action for a bit) so I wanted to experiment with it a bit. It’s a bit big on me so I decided to lean into the masc vibe with the outfit. Next time, I might switch things up and layer a thick sweater under it, and maybe try a skirt instead.

Details: Tabi sweater, H&M dress, Babaton skirt (all secondhand), Zara boots (retail)

Thoughts: This is definitely a Bohemian outfit, but an interesting one insofar as I haven’t been using a lot of black in my outfits recently. I enjoyed the layering with this one, and I also amused myself by pairing the polka dot patterns in reverse polarity. It’s like a little inside joke with myself. Clothing should always be fun, after all.

I Make Things: Wrapping Up the Year

It’s been a while since we last caught up on my arts & crafts adventures, so with the benefit of a little perspective (it’s almost the middle of January already!) let’s look at how 2023 wrapped up. It was, in many ways, a “best of times, worst of times” situation. October and November were difficult months for me at a personal level, and that inevitably makes itself felt in my art life. It is what it is. I was at least able to prepare for my one big market of the year, which took place at the end of the November and ended up being one of the “best of times” moments. I got to meet a few new artists, talk to a lot of folks about my art, and sell quite a few pieces too. Financially, it was probably my most successful market to date. This surprised me a bit; I wasn’t sure how things would fare given the challenging economic times, but people are still buying art and for that I am very grateful. But the most rewarding aspect of the market was at a personal level.

I had a few friends come out to support me, which reminded me of how blessed I am to have wonderful people in my life. I spoke to a lot of people about art, and received many, many encouraging remarks and compliments which — let’s be honest — are always nice to get. It was especially lovely to see how many different people of different ages and backgrounds responded positively to embroidery. Maybe it really is having something of a renaissance. It was also gratifying to hear a lot of people say that my hoops were very reasonably priced or even priced too low. Pricing is something I’ve struggled with a lot in the past, and continue to struggle with. I have increased my prices a bit over the years — and I often worry whether this puts them outside the reach of people’s budget (or willingness to pay) — but it’s important to also acknowledge that they are not, strictly speaking, adequate compensation for my time, much less any talent or skill, in making the pieces.

I did the math once and if I were to charge local minimum wage for the time spent on an average hoop, it would cost around $450 in labour alone, never mind materials and other miscellaneous overhead (like market fees, for example).

Much as I sometimes think wistfully about the possibility of making art full-time, I know my particular niche doesn’t even rank as a lucrative side hustle. But, on the flip side, keeping it as a passion project (without the pressures of full monetization) has its advantages too. Although I enjoyed the market a great deal, part of that had to do with the fact that it was super low stakes for me; I was doing it mostly for fun, not money. Being a full-time artist is not an easy career path, especially in a society that still values commerce far more than art.

Anyway, enough ramblings from me. Here are the last hoops of 2023:

This hoop was inspired by an Art Deco style mural I saw at the McGill campus earlier in the year, when I was visiting my bestie in Montreal. I wanted to use a large hoop so I could have enough “canvas” to recreate the vibe of the original, but this always poses challenging when it comes to stitch selection. There is a sweet spot when it comes to the area that can be nicely covered using satin stitch (which is my fave stitch for creating a smooth, paint-like surface); satin stitch doesn’t sit as nice and tight once your area gets too big. So, for this hoop, I decided to go mixed media, and use felt in some parts of the design. Together with the French knots, it gave the surface more texture as well, which was a bonus.

I really enjoyed the last few floral still life hoops I made, so I decided to create one with orchids, one of my favourite flowers. I’m very happy with how this one turned out.

This was a William Morris-inspired mini floral hoop. Simple but sweet.

I loved my personal Matisse-inspired hoop I made earlier in the year, so I decided to make this pair for the market. These pieces did sell, albeit after the market (to one of my lovely blog readers, hello!)

This Monet-inspired design had been on my mind for a long time; I was very drawn to the soft pastel colour palette of the original painting — I love blues and pinks. Technically, it might have been my most challenging hoop to date. It is almost entirely long-and-short stitch which, over an 8 inch hoop, is a LOT of work (and a lot of yarn). Sky and water are always challenging subjects to “paint” with yarn anyway. But I like a challenge!

Afterwards, though, I needed a “break” so I went back to one of my fave themes: Klimt florals. I had one of these in my personal collection before, but ended up trading it (for a vintage Coach bag!) this past fall. I don’t regret that decision, but I did find myself missing the piece. So I made a new one! It’s not exactly the same as the previous one, of course; with the exception of the blue Matisse figure, all of my designs are one-of-a-kind. But I love it, and I love knowing that its “sister” is somewhere out there making someone else happy.

The last hoop was actually an old hoop, revisited. I made this pansy design sometime in 2021 or 2022 (I forget) but it never felt quite finished. I prefer designs that cover the entire hoop, and this one didn’t. Then I got the idea to add some more “foliage” around the edges via French knots and, voila, it’s perfect now.

Although I had a somewhat wobbly end of year, I am now looking forward with new energy at the possibilities of 2024. Here’s to new art, new friends, and new horizons!